Baby’s Rear View Recap: 12.07 “Rock Never Dies”

This post is about Supernatural season 12 episode 7 “Rock Never Dies,” written by Robert Berens and directed by Eduardo Sánchez.

*****Spoilers below*****

“Rain your splendor upon me. Let me bathe in your unholy wrath. Drench me, Lucifer.”

This episode opens on two hooded figures gathered around a pentagram reciting a ritual. Though they are concerned that the Satanist Society of America-approved summoning they found online won’t work, the power of the fossilized feather does indeed draw Lucifer out of the ocean and into their living room. That’s mighty nice for Lucifer, but not so much for his “followers,” whose necks he snaps shortly after arriving.

“Think about it. Of all the extinct rock acts, Ladyheart are the most Paleolithic. A major label sponsored comeback in 2016 for those dinosaurs? It doesn't feel like a wholly natural turn of events, does it?”

After the title card, we see Dean sitting in the bunker playing words with friends with his mother. Sam joins him to complain about research just before Cas calls to let them know Lucifer is on the loose once more. Cas is still living out a bad buddy comedy with Crowley in a bar, and Crowley is not going to take being left out of the loop any longer. He takes Cas’s phone and puts it to speaker just so he can berate the Winchesters for neglecting to call after they saved the world together. Eventually the group plans to meet in LA, and Crowley takes off to meet someone he thinks can help.

“And just talking to Vince, he seemed different, you know? Energized. Reborn. Lit. Like a whole new man.”

Crowley’s “guy” turns out to be a record producer, one Russell Lemmons. It turns out Russell has an arrangement with Crowley—he sends him desperate young wannabes he thinks will sell their souls for fame. But they’re not as close as Crowley thought. Russell is dead set on bringing back Lady Heart, and Crowley has to put the fear of god in him just get have a chance in hell.

“You know what? I'm done apologizing. Lucifer possessed Vince Vincente. This is Vince Vincente's music, so listening to it is research. As a matter of fact Study up, Dean.”

Meanwhile, Dean and Sam are making the drive from Kansas to LA. Dean is complaining about LA until he realizes Sam has headphones in and hasn’t heard a bit of his rant. Dean asks that they listen together to keep him awake, but Sam hedges. He insists it’s just a really boring history podcast on Luther’s 95 theses, but Dean doesn’t buy it. Turns out Sam is totally listening to Vince Vincente, and he’s not going to stop just because Dean is stubbornly judging the book by its cover. In fact, he’s gonna turn it up all the way and make Dean listen to it.

“It means it's not about the music. It never really was. You know, rock's not the reason. It's just an excuse to worship, to adore. See, humans have always been desperate to put someone or something above them. And let's face it, God ain't cuttin' it these days. It takes a Kim Kardashian, a whatever Justin Bieber is. A me. They're enjoying the ride. So should you.”

Meanwhile, “Vince” is in the studio NOT recording. Apparently the music doesn’t matter. They only care about whether Vince Vincent is bay, nae, or daddy.

“You consider switching up your duds there? Bit stiff for this town.”
“He could be an agent or something.”
“Yeah, maybe a third-tier agent.”
“At least I don't look like a lumberjack.”

The gang meet up at Vince’s hotel and check out his room. It’s a mess of rockstar biographies and women’s underwear, but there’s no evidence of a plan. There is, however, a human tooth.

“I was a fool not to recognize such sweet devotion. Talk to me, Roseleen. Tell me about me.”

“Vince” is hanging out on someone else’s couch with a girl named Roseleen. He gets Roseleen, who is suspiciously missing a tooth, to profess her love to him. And then he gets her to carve his name into her chest.

“Roseleen, did Vince force you to do this?”
“No. Vince didn't. He wouldn't have to. I wanted to, to show him, to make him happy.”

The gang convenes at the hospital, where Dean orders Cas to keep an eye on Crowley in the hallway while he and Sam talk to Roseleen. They’re disturbed by Roseleen’s level of devotion as she defends Vince Vincente and begs them to let her go the concert.

“Religion, celebrity, Twitter -- it's all the same rules. If you're not gaining followers, you're losing followers.”

Meanwhile Vince is planning his next move with PR. The concert tonight is going to be at an undisclosed location with small audience, but Vince is adamant that he wants fresh blood.

“So we couldn't flip a single member of Vince's team. Even with the threat of mass murder, these SoCal douchebags won't do the right thing.”
“Welcome to Los Angeles.”

The gang discusses what to do next. Rowena is out and no one can figure out what Lucifer is planning. The gang splits up to try and get a break. Crowley attacks Russell, Cas contacts Tommy, and Dean and Sam pose as a new band to get a meeting with Vince’s PR person. They all strike out and meet back at the hotel to commiserate.

“Tonight's show? It's gonna kill.”

Luckily for them, Vince is getting a little too crazy for his team. When Russell threatens to revoke Vince’s contract, Vince makes Russell stab himself with his prized pen. The PR person quits, and that’s when Tommy texts Cas and gives him the location.

“I'll take Lucifer. He's my responsibility.”
“No, he's not. He's all of our responsibility.”

The gang gets to the location but they haven’t really thought up a plan. Cas volunteers to distract Lucifer so Dean and Sam can save the crowd. Crowley offers to accompany Cas to try to buy them some more time.

“You think this is fun?”
“Oh, I wouldn't expect you to understand. I was inside you. I know what a weak, duty-bound pleasureless dullard you are.”

Cas and Crowley take on Lucifer in the dressing room. They live, but Tommy doesn’t. Meanwhile, Dean and Sam try to disperse the crowd to no avail.

“You know what my plan is? I don't have one. I'm just gonna keep on smashing Daddy's already broken toys and make you watch.”

Finally Vince comes out onstage, and Dean gets rid of the crowd by shooting his gun into the air. Lucifer tries to magic the doors closed, but Sam manages to hold them open until everyone gets out. Once it’s just Lucifer and the gang, Cas attacks. Dean manages to put the handcuffs on, but Lucifer burns them off right away. Once it’s clear they’re no match for the devil, they rest for a bit while Lucifer monologues. But apparently the night has been too much for Lucifer, and he vows to move onwards and upwards as he exits the disintegrating vessel.

“We're not winning. We're just losing slow.”

The gang is pretty depressed to say the least. But they’re not dead! They’re not feeling too great, but they’re determined. They reaffirm their commitment to stopping Lucifer, because “it’s what we do, man.”

Questions:

Why does this feather repair his vessel? I mean, we have seen angel feathers used in spells but I don’t think we’ve ever seen anything quite like this. I guess archangel feathers probably carry more power, and maybe the fact that it’s his feather imbues it with special power over his vessel as well. I dunno. Seems mighty convenient if you ask me.

Does this mean the impala still has that iPhone jack? And Dean is actually willing to use it? Otherwise how could they listen to Sam’s “podcast”? I’m so proud of Grandpa Dean getting hip with the times.

Is it just me, or was Dean really mean to Cas this episode? I mean, was this like boyfriends bickering mean, or you should legitimately feel like crap for leaving me mean? I guess, obviously Dean still cares about Cas but he has a funny way of showing it. It’s pretty obvious Cas is not doing well and I’m worried about him.

So there were seven deaths this episode? And 5 of them were from snapped necks. Interesting. It reminds me of the Hitler episode, which also had a shocking number of deaths and some neck snapping. Was that an intentional parallel? Could it be a way of comparing Dean and Sam to Lucifer himself?

Conclusions:

Rick Springfield did so. well. That ending monologue was actually pretty moving, and I’m sort of sad to see him go. In general I wasn’t a huge fan of the character or the story, but I was really impressed with Rick Springfield’s acting. Aces, Rick.

The episode is not going to go down as one of my favorites. The myth arc episodes lately always seem rushed and jam-packed, and this one in particular left me feeling sort of empty. I mean, it was depressing without being emotionally fulfilling. And it was just sad, okay. Poor Cas. Poor Sammy. Poor everyone! This was such a depressing episode!

Also, I was sort of wary about the message. I mean, all that talk about how fans are pathetic and crazy did not sit well with me. Plus, it was just a really nihilistic feel. I mean, ew.

There actually were some really funny parts, and I love seeing the cast working more as an ensemble, but it makes it hard to balance the characters’ emotional beats. I felt like Cas got sidelined over and over again in the beginning of the episode, and that doesn’t make me happy. And I felt like the end part just made it worse. That said, I am still whooping over that lumberjack line. DRAG HIM QUEEN B. Anyway, the good parts were really good, but not all of it was good. In fact, the Lucifer bits were excruciatingly boring until the very end.

But I have to say, that moment where Sam held the door open was amazing. Really amazing. 10/10 would recommend.

Here’s to hoping next week’s myth arc episode will be more fulfilling, since it is the mid-season finale and all.

Baby’s Rear View Recap: 12.06 “Celebrating the Life of Asa Fox”

This post is about Supernatural season 12 episode 6 “Celebrating the Life of Asa Fox,” written by Steve Yockey and directed by John Badham.

*****Spoilers below*****

“But if you retire, who's gonna save people like me?”

Some 36 years ago, something chases a boy through the Canadian woods. Luckily, Mary Winchester has been chasing it, and she shoots the werewolf through the heart just in time to save the boy. She takes him home and explains that she’s retiring before getting in her car and leaving for good. But the boy, Asa Fox, can’t let it go. He becomes a hunter—and then dies a hunter, strung up to a tree.

“No. No, no, you're -- you're a badass sheriff chick. You're not a-a Rom com chick. Wait, are you a Rom com chick?”
“Are you?”
“He's more of a, uh animated Japanese erotica chick.”

Sam and Dean stop by Jody’s house after a hunt in Brookings to say hi to her and the girls. Unfortunately, Claire and Alex are in Omaha at a Radiohead concert. But Jody is there, watching TV and eating pizza in her PJs. The boys join her for some scintillating conversation—including the fact that Dean killed Hitler, and that Jody likes rom-coms.

“He, uh, he rolled into town a few months back, tried to convince me he was FBI Agent Fox Mulder. He was chasing a pack of ghouls, and I helped. He'd pass through every once in a while after that, and we'd grab co-- coffee or something. Oh, he was a good man.”

Jody gets the kind of phone call no one ever wants to get and she goes into her bedroom, upset. The boys follow, asking what’s wrong. When she tells him her friend died and that she’s going to the wake, they insist on tagging along. Apparently, Ellen used to tell stories about Asa. Plus, they’ve never really been to a hunter gathering. Jody gratefully agrees to let them go, but only if they shower first.

“How you holding up?”
“Well, it's a house full of loud, drunk hunters and my son's dead body is in the parlor. But I haven't slit my wrists yet. Small victories.”

The gang makes their way to Asa’s family home in Manitoba, where the party is already underway. They express their condolences to Asa’s mother, Lorraine, who Jody seems to know fairly well.

“You think the stories about Asa are crazy, you should hear what they say about you.”

While Jody talks with Lorraine, Dean heads straight to the kitchen. He grabs some homemade beer and chats with the guy who made it, one Bucky Sims. When Dean introduces himself, everyone balks. The Dean Winchester? Dean’s a little out of his element as “the famous friend,” and is embarrassed to accidentally trigger the drinking game when he mentions wendigos.

“And what did she teach you?”
“Uh, mostly how to seduce men.”

Meanwhile, Sam is chatting up a pair of hunter twins who were raised by a witch. That is, until Sam is somewhat rudely interrupted by Elvis, who ran in from the kitchen where Dean just mentioned Sam. It turns out Elvis just really wanted to ask Sam if he had been possessed by The Devil. Sam, for his part, suddenly really wants to go get a drink.

“Did you know people tell stories about us?”
“Yeah. Apparently, we're a little bit legendary.”

Dean too, has already had to escape from the crowd. He’s admiring Asa’s angel blade in Asa’s room when Sam finds him, beer in hand. They talk about Asa for a bit, and Dean admits that he expects to die on the job before warning Sam not to say “wendigo” and heading back to the party.

“Asa made us go roller skating, and right after these ghouls almost got us. So there's the three of us, all banged up, with a ton of ironic teenagers skating under these neon lights. You remember this, Jody?” “Mm-hmm.”
“Oh, it was classic. I mean, you know, until you two snuck off for some sweet, sweet time alone.”

The party is starting to wind down, but those closest to Asa are still sitting around the living room, swapping stories. It turns out Jody and Asa had a thing! Dean and Sam are somewhat surprised. But it wasn’t just her; witch twins Max and Alicia’s mom had a thing for him too.

“So you'll text us once a week, maybe, but you'll drive all the way to Canada to see some dead guy? Well, that's awesome. I'm gonna get some air.”

Meanwhile, unknown to all but one, Randy disappears. And, coincidentally right after, someone else appears. It’s Mary Winchester, come to pay her respects to the one person she knew from before that she thought would still be alive. While Jody is ecstatic to see her, Dean is… not so much.

“Look, maybe this isn't my place, and this is epic stuff, but, you know if I could have my son and my husband back? I mean, really back, I would give anything, absolutely anything, to have that. And it would scare the hell out of me.”

When Dean goes to get some air, Jody stops him so they can talk. She assures him that she gets it and that she’s there for him if he needs her.

“Asa told me about you. You're the reason my son didn't become an astronaut.”

Meanwhile, Mary escapes to the kitchen for a beer. But while she’s in there, Lorraine introduces herself and is shocked to find that this is the woman who saved her son all those years ago. Lorraine blames Mary for Asa’s hunting. She accuses Mary for leaving him and then gives her a box of postcards that Asa wrote but couldn’t send.

“Mom, you don't have to explain anything. I get it. You need space. And -- and so does Dean, you know? I-I mean, he -- he's just… We just got you back, and he's just scared we're gonna lose you again, that -- that because we're Hunters, you're gonna walk away. But I know that's not true. Even looking at these -- I mean, you saved Asa in 1980, um, after Dean was born, after everyone thought you quit hunting. Seems like you couldn't stop then, and I'm guessing you can't stop now either. This job, this life -- it's crazy and insane. But it's in our blood.”

Sam finds Mary coming out of the kitchen and she gives him the postcards. She laments that nothing feels right and Sam comforts her. They go to say goodbye to Asa, but find Randy’s body roped to the ceiling above him.

“Jael. He's a crossroads demon. And he hangs people. It's his thing. Snaps their neck, slits their throat. He's a real piece of work.”

They rush to the living room to tell everyone to leave, but it turns out they’re trapped. And the water’s turned off. And it smells of sulfur. And Dean is stuck outside.

“Still, between us, it's always nice to see a Winchester who can't get what he wants.”
“You think this is funny? Huh? Hunters are dying in there.”
“Everyone dies.”

Luckily, Billie was just inside reaping Randy’s soul and is willing to get Dean through the barrier—for a price.

“No, I mean, really, go to Hell.”

But when he does get in, he runs straight into Elvis. Or rather, the demon possessing Elvis. Dean, good man that he is, tries to exorcise the demon instead of using Ruby’s knife. But the demon snaps Elvis neck anyway and smokes out. The rest of the party rushes in when they hear Lorraine’s scream, and they decide to make a devil’s trap.

“Sam. This is awkward, I'm owning that. But the demon… I think it's in your mom.”

As Sam is laying out the devil’s trap, Mary leaves the room. Jody points that out to Sam, who is reluctant to believe that his mother is possessed. But when Jody starts to implore them to kill Mary, they realize that Jody isn’t acting like herself. Jody is the demon, and Mary left the room to get the angel blade—which she now tries to use to kill the demon—by killing Jody.

“I was there that night. Tell these nice, stupid people what you did. Tell them what you took from me. Asa was mine.”

Sam stops Mary just in time, and the demon just gets angrier. It monologues about how Asa was Max and Alicia’s father, how Lorraine used to sabotage Asa’s jeep so he couldn’t hunt, and how Jody had fantasized about building a life with Asa. But the most important reveal is left to Bucky. The demon forces Bucky to admit that he killed Asa, just before the gang sends Jael back to hell with a group exorcism.

“What are you gonna do to me?”
“Tell everyone, every hunter we meet. They're gonna know your name, Bucky, know what you did.”
“You like stories? This is the story everyone's gonna tell about you. Forever.”

After the demon’s gone, Bucky explains that Asa’a death was an accident. They were arguing over Jael when they started shoving and Asa fell. And then Bucky strung up Asa’s body so that people would think Jael killed him.

“I don't know what's going on between you and your boys, but I gotta tell you, mom to mom, they are good men. Best I've ever met.”
“I know. They're not the problem.”

The hunters salt and burn the three bodies while Lorraine properly meets her grandchildren for the first time. Everyone is somber, and Mary apologizes to Jody for trying to kill her and the resulting injury she sustained. They talk as they watch the flames.

“And now you owe me one. This one.”

Billie shows up, offering mercy to Mary. She says she knows Mary hates being alive, and tells her she can take her to heaven if she wants. Mary elects to stay, but she’s not ready to come home.

“Can we buy you breakfast, at least?”
“Bacon?”
“All the bacon.”

The episode ends as Mary and her boys decide to go for breakfast before they part ways again.

Questions:

What movie are they watching? I need to know. For… reasons.

So this boy is definitely flirting with Sam, right? Can I call the ship name Sax? Pretty please?

Also, I love these twins always speaking at the same time haha. Do twins really do that?

There is no paint in this house? They really have to make it with ashes? The demon could literally just blow it away. And, the magic would break as soon as someone steps on it and messes it up. Asa really didn’t have any devil’s traps already painted in his house? When this demon has been after him for ALMOST 20 YEARS?

Also, not to harp on about it, but why don’t they have anti-possession tattoos? Dean, make Sam get a new one. Sam, make Jody get one ASAP. And your MOM for crying out loud. Where did her charm go? And are we gonna talk about all the beer just sitting in ice water in the kitchen that they could bless? No? Christo? At least they all have the exorcism memorized. Sheesh.

SO. Jael is gonna come back, then, right? It took Jael five years to crawl back after that first encounter with Asa, so how long will it take to come back now? Especially with hell being a mess. And when the demon does come back, who will it fixate on? My vote is Bucky. I mean, I’m not here for revenge, it’s just… better him than my precious witch twins.

Conclusions:

I love. This. Episode. I love it.

I was really excited to see Steve Yockey’s episode, because he’s a playwright, and seems really interesting. And he did not disappoint. I wish every episode could be like this. I mean, maybe not every episode, but I would watch the crap out of a show like this. Not that I don’t already watch the crap out of this show, but seriously.

And how about the directing? That montage at the beginning was so good. We immediately fell for Asa, and even though we knew he would die before the episode really began, it was still shocking and horrible when he did. And then Badham does it again when Jody gets the phone call, it’s just such an abrupt switch, it’s so heartbreaking. Like Jody is just like, no time to take this in, I gotta just do what I gotta do, get packed, so on autopilot that she can’t even walk around the couch, she has to take the direct route between the boys and the TV and it’s just so uncomfortably raw. Really strong choices in this, and that’s what makes it powerful. Also the incredible acting.

I am so in love with Kim Rhodes. She is so phenomenal, and I could watch her for the rest of my life. Also, Jody is just great on a character level, like I love how she facilitates the Winchesters growth so well. And she’s just so real and awkward and still perfectly wonderful. She is thoroughly fantastic and I love her. Please let her lead a spin-off. If there’s no spin-off by the time Jael makes it back topside, maybe I’ll make a deal myself. No I won’t, but seriously it could be so amazing if someone like Yockey writes it, someone who knows how to write a female character who is both a “badass sheriff chick” and a “rom-com chick” because she is a real person and doesn’t subscribe to your gendered assumptions and also calls you out on it. Sorry I just have a lot of feelings about this.

And anyway, I should probably just go ahead and stop myself now, because I’m pretty sure I could keep talking about this episode long after everyone has gotten tired of reading this. So in conclusion, everyone was great, this episode was great, I’m gonna go watch it again, long live Steve Yockey. Goodnight.

Baby’s Rear View Recap: 12.05 “The One You’ve Been Waiting For”

This post is about Supernatural season 12 episode 5 “The One You’ve Been Waiting For,” written by Meredith Glynn and directed by Nina Lopez-Corrado.

*****Spoilers below*****

"No, ma'am, they don't make them like this anymore."

The episode opens on an antique shop, where two people are meeting in the middle of the night. The two are arguing over the price of a Nazi watch from the 1930s when the dealer’s jacket starts smoking. He spontaneously combusts, and the buyer (after trying to take the watch and run) bursts into fire shortly after.

“The old lady? Loaded. I'm talking Scrooge McDuck swimming in pools of money. So what's a lady like that doing at some crap store at 3:00 a.m.?”

Dean finds a case—a freak fire in Ohio. Sam comes home with pie, which Dean uncharacteristically declines. Concerned, Sam tries to engage him in a talk about his feelings, but Dean would rather focus on the case. It’s called sublimation. Apparently.

“Nazis. I hate these guys.”

Dean and Sam investigate the crime scene. Dean finds a hidden room of Nazi paraphernalia while Sam hacks into the antiques dealer’s hard drive and finds out he has a ledger filled with Nazi items. It turns out the watch belonged to someone in Hitler’s inner circle. With the Nazi connection and the immolation M.O., all signs point to the Thule.

“Come on, Eleanor. He is hot. So you just—you put on those big girl pants and you take off his.”

Meanwhile, an unfamiliar girl is struggling on her first Tinder date after a bad break-up. But it’s about to get much worse. While Ellie is calming down in the bathroom, some guys in suits break into her livingroom and torch her date. As she escapes out the window and runs down the street (cutting her leg open in the process), a man with a heavy German accent tells what seems to be his son that they need her alive but can use the blood she left behind to track her.

“Yeah, well, dropping out of college to wipe out Nazi corpse-bags wasn't exactly my mother's dream, but what are you gonna do?”

Dean and Sam get ahold of their old bud Aaron, who is hunting Nazi deutch-nozzles in the Motherland. He tells them the Thule are working on something big—a mission called “Das Blud,” or, “The Blood.” Sounds ominous.

“We gotta follow that car. Oh, I've always wanted to say that.”

The boys cut the call short when they get the notification that another body has dropped. They head over to the crime scene in their Fed suits, where they find the body is definitely connected. But just as they go to talk to the survivor, Ellie, she gets snatched. They jump in the impala in hot pursuit.

“Family drama’s a bitch, ain’t it?”

They follow it to a parking garage, where the kidnapper (the young man from earlier) has stopped to switch cars. As he’s looking for the key, Dean sneaks up and pulls his gun.

“The watch, it's like a -- it's like a horcrux.”
“It's a Harry Potter thing.”
“Oh, you would know that.”

The boys tie him up in a chair and threaten him ‘til he talks. And talk he does. He tells them his father (Nauhaus) is in the Thule high command, and put Hitler’s soul in a pocket watch at his death so that they could later resurrect him. But the watch got lost for years. Since then, the Thule have been keeping track of Hitler’s relatives—whose blood is necessary to house the soul. And Ellie just happened to be the relative nearest to the watch.

“I know it's hard to believe this right now, but it will get easier. Trust me, I've been there.”
“Oh, right. Did someone wanna use you to resurrect Adolph Hitler?”
“Uh, w-- No, not exactly.”
“There you go.”
“But they did want me to bring back Lucifer. I was his vessel.”

Ellie is having trouble dealing with her life, which has been turned inside out very suddenly. Sam talks to her in the other room. In trying to comfort her, he confides that he had a similar experience with Lucifer.

“Now does that sound scary? Yeah, you bet. But there are times when you run and there are times when you stand and fight. Now is one of those times when you fight.”

As Dean is trying to hurry them along, the Thule finally catch up. Dean and Sam hold them off while Ellie escapes, once again through the window. But she doesn’t make it far before Nauhaus finds her and grabs her off the street. Now Dean and Sam have no bait and no hostage.

“Your generation -- you millennials -- are too weak to steward the future. It needs a stronger hand. The world is divided und inflamed. This falling of empires, the flailing of economies, is precisely why there has never been a better time for the Fuhrer's return. And you my dear, you have his eyes.”

When Nauhaus finds out his son told the Winchesters of their plans, he is very disappointed. Christoph tries to stand up to his dad, but Nauhaus won’t be changed.

“Fritz, my son has had a very trying day. He should rest.”

In fact, Nazi-dad puts out a kill order on his son. Luckily for little Christoph, Fritz is distracted by a radio message giving the Winchester’s location. Christoph dodges the bullet. Fritz is not so lucky.

“Do you know what it was like to have a Nazi necromancer for a father? It sucked. Christmas was a joke. Career Day at school was a nightmare. All I do is try to make him proud, I'll never be good enough. He asked a guy named Fritz to kill me.”

Dean and Sam go back to the diner, where they prepare to hack all the traffic cams in the city until they find Ellie. Just as they are beginning to despair, Christoph walks in and sits down. He explains what happened between him and his dad and offers Ellie’s location in return for protection.

“Let’s go kill some Nazis.”

The three head over to the airplane hangar where Ellie is being held. But not before Dean takes care of the “Kraut” tailing them. Dean and Sam leave Christoph cuffed to the car while they prepare to infiltrate the hangar through stealth. Unfortunately, stealth precludes their using the grenade launcher. Good thing they’re trained killers and can just sneak up behind the guards and snap their necks.

“The Fuher's soul must occupy a body that contains the blood of his blood. Did you really think I'd resurrect the greatest man who ever lived in the body of a weak, unworthy, American female? Mein Gott. I never needed you, only your blood.”

It turns out that Nauhaus is taking Ellie’s blood and putting it into his own body. It works, and Hitler is resurrected. But he is not alright. He is… all kinds of messed up.

“Take the rest of her blood, then give her to the dogs.”
“But, Fuhrer, we have no dogs.”
“Then get some!”

Hitler tells his lackeys to get rid of his great-great grandniece and they get ready to leave. They’re just waiting for the plane to be ready.

“Heil this.”

Dean and Sam are captured and brought to the room where Ellie is being kept. There they meet the Fuhrer, and are told they will be fed to the dogs as well. But with all eyes on those frightening Winchesters, Ellie is free to sneakily pick up a gun. When she shoots one of the unnamed Nazis in the head, all hell breaks loose. Dean and Sam take care of the other lackeys and then Sam goes to check on Ellie while Dean corners Hitler. After punching Hitler in the face, Dean shoots him in the head.

“The Thule that are left are gonna hunt you as a traitor forever. Our advice? Run.”
“Why don't you head back to Buffalo? Nobody goes to Buffalo.”

When the Winchesters and Ellie get back to the car, they let Christoph go. They had a deal after all.

“So how you holding up?”
“Uh, well, we just burned a pile of dead Nazi zombie bodies. One of which I killed, so maybe, like, third worst day ever.”

Sam debriefs Ellie and they say goodbye. It seems Ellie plans to stop running and maybe even go back to med school.

“I killed Hitler. I think I deserve some pie.”

And finally, Dean and Sam drive off into the sunset (or more accurately, to a bakery boasting the best pie in a thousand miles).

Questions:

Does Christoph even speak German? His dad always speaks English around him and he has no accent… interesting.

Man, Aaron must really like them* to be using up his international minutes. *by “them” I mean Dean. (#gaything #deanxaaron4ever #budlife)! I guess that wasn’t a question so.. Amiright or amiright?

Yeah, so is Dean okay? Like, are we supposed to be ok that his sublimation (his healthier unhealthy thing) is to kill? I mean, I guess the theme lately has been needing space. I get that Dean also needs space. But not just from Sam or from the situation. He’s distancing himself from all emotion. All work and all play makes Dean a hella scary dude. But at least he’s not drinking?

And they killed ten people on screen in this episode? It felt like a lot, and I don’t know what the average is, but my gut is telling me it’s far fewer. I mean, we sometimes see villains kill that many, but it’s usually done in a much more supernatural way, with magic, or magic fog, or magic soul-sucking powers… It’s kind of disconcerting to see so many people getting their necks snapped, or shot, or burned alive. Maybe this is part of the season theme, where we see how monstrous humans can be.

Conclusions:

This is the first episode of Supernatural EVER to be both written and directed by women. (Right?) It only took us 12 seasons! No really, though, this is phenomenal and it makes me really happy and hopeful. I want to support them.

That said, I’m not going to pretend this was my favorite episode. There were some good parts. It was a little funny sometimes, the characterization was fine, all I really wanted was for someone to punch Hitler and that happened, so yay.

I wasn’t really looking forward to a Nazi episode though, and to be honest, I think it would have had to have been pretty incredible for me to love it. I was, however, really looking forward to seeing Aaron. So that was a bit of a disappointment to see he only had a few minutes of screen-time. (However I freaking loved what little he was in. That glow necklace! Deutch-nozzles. Bud. Never forget).

But I honestly felt like the directing was a little odd. And I loved Nina Lopez-Corrado’s directing in “Red Meat,” I loved it to death and back. But that type of directing, which is perfect for a dark, emotional episode like that, didn’t work as well in an episode that was supposed to be comedic. Some of the banter read a lot slower than it normally would in a comedy. The action scenes were hard to keep track of. And that beginning scene was just painfully boring.

That said, there were some gorgeous and even poignant shots throughout. Hitler lying dead with his phone in his hands, Dean and Sam killing Nazis in tandem like it’s a gotdamn video game. I mean, that added a whole other level to the comedy, which made it deeper and darker and great. But something about the landing didn’t stick. Honestly, it may be just because of the current atmosphere—we’re not viewing this in a vacuum. I saw more than a few people on Tumblr lamenting the fact that it was hard to watch seeing the parallels between Hitler and our next president.

It was also a bit weird to see so many people die on-screen. I mean really, it had a distinct video-game feel to it, at least to me. Which was both interesting and uncomfortable. But it wasn’t particularly funny, which left me feeling mostly confused.