Friday, January 22, 2016

Doctor Who You Calling Sexist: Amy Pond








Amy Pond 

Why people love her

She’s fun and brave

Why people hate her

She’s bossy, mean, and a cold bitch
Selfish, stubborn, rude, arrogant, immature, and petty
Stupid, useless
Not worthy of the Doctor, not worthy of Rory
Slut
Poorly written!

What I think about her

Okay, we’ve made it to Amy. I have to say, I have a lot of feelings about Amy; I love her the most and I also hate her the most. I thought that she was the best and most interesting companion at the start, but she had such poor writing that she ended up with the worst development.

I liked Amy a lot in the first few episodes. She had a strong personality from the get-go, and I thought she seemed a lot like me. Plus, she has a lot of juicy flaws and interesting quarks to work with. One of the reasons I didn’t like her as much in later episodes was because I got tired of her really quickly. This wasn’t because she wasn’t an interesting or worthwhile person, but because the character didn’t get any meaningful development after her first few episodes. She just didn’t change. We were told sometimes that she had changed, but we really didn’t see it. I stopped being able to relate to her. She rarely talked about her feelings, and while this can be great as a character attribute, it does make it harder for the audience to understand her. Those emotional explanations have to be replaced with something else so that the audience can relate to the character.

And the audience just couldn’t relate to Amy. Some of her lines were odd and alienating, which did horrible things for her reception because the audience never got close enough to her to understand her. In this way I think it was kind of a Donna-gone-wrong situation. She was similar to Donna in that she had traits that viewers weren’t inclined to like. But unlike Donna, she was so under-developed that few people grew to understand and appreciate her. In fact, she came off as a caricature sometimes. Whereas Donna was sometimes caricatured for the sake of comedy, Amy was caricatured for the sake of packing in more convoluted plotlines. She was yet another character whose development was sacrificed in favor of the Doctor’s development. Nearly all the things we are told about her are there for us to understand the Doctor’s frame of mind, his guilt and wavering morality. They are not for us to understand Amy. This is in huge contrast to Donna’s development. I felt that her story was smoother in the sense that we learned about her for her benefit, and because we understood her growth so well, we automatically understood how she had changed the Doctor. We didn’t need to be told, because we saw it. Nobody’s character development had to be sacrificed for the Doctor’s development. Instead, the development of each character individually fit together with the development of the others and each character was enhanced rather than deprived of development. But anyway, I’m talking way too much about Donna. I love Donna. Go read my Donna post, because this post is supposed to be about Amy…

Amy’s personality: Now all that is not to say that Amy doesn’t have personality. She definitely does. Maybe even too much personality. I don’t know how they managed it, but I think the writers actually took the “person” out of “personality.” She’s full to the brim of spunk and sass and there is no room for the other things that make up a real person. For me, she went from the most relatable companion in her first episodes to the least relatable by the end.

She’s bossy, mean, and a cold bitch: Amy is not your typical nice girl. While I do think that she tends to get judged a little too harshly for this, I won’t deny that she can be rather demanding and domineering.
I think Amy’s coldness is really interesting. She just isn’t comfortable with emotions. She rarely gives compliments, which can be hard if you’re Rory and your love language is words of affirmation. She doesn’t expect compliments either, which is why I think she gives them to herself. Her love language is touch, probably because touch is societally powerful whereas emotional words are societally weak. She wants flings instead of relationships because she doesn’t want to get close to people (as she knows they will make her promises and then disappear). Amy undoubtedly gets her ideas of relationships from society, because she grew up without a family. She never had an example of adult relationships, she only saw the relationships of her peers. I think she calls Rory names because she doesn’t know how to express her love for him. She’s stuck as an eight-year-old, being mean to her childhood boyfriend. I think this is an extremely interesting facet of her personality and ties in really well with the idea of not growing up. But it was so unexplored that I’m not sure if the writer’s intended this to be part of her character or if it’s just a coincidence or something I made up to give her some semblance of characterization.
Amy does come off as bossy. This is another way that Amy is similar to Donna. She sometimes tells the Doctor and Rory what to do. I think this comes from her being totally involved in whatever she’s doing. She doesn’t hesitate, she’s confident. She takes charge and makes decisions quickly and efficiently. She rarely ask for others’ opinions. This is pretty standard for a boss type, and is also standard behavior for the Doctor; it is, however, unusual for a female character. Again, she gets judged harshly for going against what is expected for her gender.

She may have a forceful personality, but she rarely actually bosses the Doctor around. She is playful with him, but she also venerates him and very often does what he tells her to do. In fact, she only tries to control the little things and is absolutely afraid of emotional confrontation. So, she mostly only bosses Rory around. I think this could say a number of things about her, though the script is never explicit on this front: It could come from wanting to feel like she is at home in the TARDIS. She traveled in the TARDIS before Rory did and she wanted to feel like she really belonged there, and she probably wanted Rory to think that she belonged there too. Also I think this was a writing thing to suggest that she had traveled for a long time. Because people complain that she had only been there a few episodes and was acting like she’d been there a long time. But, it is implied that she did go on more trips with just the Doctor before picking up Rory, as they talk about that later. Also, she had been thinking and dreaming about the Doctor for 14 years at this point, so it makes sense that she would feel at home and wouldn’t have to take the time to rearrange her schema like the other companions did. We actually see the same thing with Rory: when he first steps on to the TARDIS he is prepared and has been reading up on relative dimensions, so he isn’t shocked. And there are other reasons for her bossiness too: I personally think that Amy has some sort of power-complex. This would make a lot of narrative sense, as Amy’s entire life has been slipping through the crack in her wall and she has lost control of it. And she is also constantly at the Doctor’s whimsy, as is demonstrated time and again throughout the series. I think this power thing also plays into her sexuality, but I’ll talk about that later. But neither of these theories are really explored by the script. So, finally, I think that the real reason Amy is bossy is for comedic effect. The writers just think it’s funny that Amy bosses Rory around, and so they built their dynamic around that. I think that this is fundamentally based around sexist stereotypes. We would “naturally” expect the dynamic to be reversed, and funny comes from the unexpected, so make Amy bossy to the point that it doesn’t make sense and Rory subservient to a point that is unrealistic. (Only they fail to consider that in reality, which doesn’t always conform to sexist stereotypes, women can be abusive of their husbands and that is not funny).

And this is why I have a problem with Amy’s meanness. This is not a healthy relationship; it is emotional abuse. And it’s meant to be funny and even romantic. Rory talks about how she hits him, and she’s always calling him stupid and putting him down. I fail to see how this is funny or sweet. I also don’t think it has a place in a family show, at least not if it’s glossed over and excused the way it is here. To me, abuse is against everything the Doctor stands for. (Although the Doctor actually is also quite abusive and controlling, I hope that one day he won’t be written that way). I would be fine with Amy being this way if it was addressed. They could have explored why she did this, why she thought it was okay, and why she stopped. Because by the time of the Ponds’ departure, Amy has largely stopped doing this. But it is never explicitly addressed and Amy’s growth on this front is incidental and goes entirely unacknowledged. Like maybe the writers just forgot to put those lines in the later episodes and not that the absence of those lines was supposed to mean something.

Does Moffat not think that women are powerful enough for their abuse to have an impact? I don’t think Amy and Rory’s relationship is realistic because it starts out really quite unhealthy and then somehow ends up perfectly romantic.


She’s selfish and immature: I can see where people are coming from in this criticism. I think that one of the biggest themes with Amy’s character is that she has refused to grow up. She’s naïve in a lot of ways for most of the series, and she is quite emotionally stunted. But again, this theme of her character just wasn’t developed enough for viewers to appreciate. She is selfish in some ways: she has definite priorities when it comes to people. (Rory, Melody, the Doctor, herself, and then everyone else). Donna was all about objective equality and just wanted to save anybody. Rose even wanted to save the Daleks at one point. Amy is different. She has a sort of normal amount of compassion for other people but she isn’t as concerned, for example, as Donna is. I think that she is about as selfish as anyone in real life, but we are used to seeing companions that serve as more of a foil to the Doctor and therefore we have trouble accepting this about her.

In most of the other companions, we see moments where the harshness of death and the relativity of the Doctor’s morality gets them down. Amy never really has a moment like this. She is only ever affected by the deaths of Rory and the Doctor and she actually embraces the Doctor’s morality (or lack thereof). She accepts it as how it always is and how it has to be. The only time she ever questions the Doctor’s morality is in A Town Called Mercy, where he is acting extremely un-Doctor-y. She sometimes questions his conclusions (like with the Star-whale) but she never questions the ethical reasoning that got him there. I don’t know whether this was purposeful by the writing team or if they just didn’t think they had time to address it.

I think we also judge Amy harshly for her selfishness and immaturity because of her gender. We have a real problem in our society with using the moniker “teenage girl” as an insult. And that’s what Amy is. In my experience, we tend to be more understanding of the hard things that teenage boys go through while we deride teenage girls for caring about stupid things and being emotional. Which is probably why Amy tries so hard not to be those things, and yet we still hate her for acting like anyone her age would. I say this is unfair because I actually think that the Doctor and Rory are equally as selfish as Amy is. In fact, I think that the Doctor is much more selfish than Amy is, because his is a mature and calculated selfishness while Amy’s is an immature and naïve selfishness. Actually, the eleventh Doctor and Amy are extremely similar and their relative ages are their biggest difference. The eleventh Doctor is (at least arguably) worse than Amy in each of the offenses listed here, and yet we still don’t hate him! I personally think that Rory is just as selfish and every bit as immature as Amy even though it manifests in different ways. His heroic nobility comes from a place of selfishness much more than empathy. He has an inferiority complex and wants to be better than the Doctor, so he tries to become a medical Doctor, doggedly protects Amy, and even gets his own legend. He’s really no more empathetic than Amy is, and he does the things he does for her because he himself can’t stand to lose her. He constantly passively-aggressively gives her what she wants because he wants her to feel sorry for him and value him. And there’s more but this post isn’t really about Rory. But still, Rory is selfish and nobody hates him for it either.

She’s rude: I actually don’t think Amy really is rude, at least not in the ways we usually use this word; I think rude usually has a connotation of rough-around-the-edges social ineptitude. Amy is not socially inept. She can be forceful at times, but she has a very developed sense of her relationship to and boundaries with the person she’s addressing. When she crosses boundaries, it’s purposeful—this is what makes her able to manipulate people (which she does for better or for worse). She acts very differently towards Rory than she does towards people she’s just met. She knows how people will react to her and she plays to that. She’s forward but never off-putting. Often surprising but rarely unpleasant. I mean, Winston Churchill adored her. And so did everyone else. She had an ability to be gentle, like she was with her “Paisley boy” in Victory of the Daleks. She was very kind and loving towards Vincent Van Gogh and even spent time on her own just trying to cheer him up.

She’s stupid and useless: For some reason we like to judge companions on this unrealistic usefulness standard. Like in order to travel with the Doctor, they must be just as “useful” as him. But what does “useful” mean? Are regular real-life human beings useful? I don’t think so. So why does Amy need to be useful? The Doctor doesn’t choose his companions for how objectively useful they are, he chooses them because they are good people. So it isn’t the Doctor who creates this bar, it’s the audience. I think it actually comes from a place of audience jealousy. We get mad at Amy just for traveling in the TARDIS because we want to. So we say she doesn’t deserve to, as if we do. But in real life, people are rarely as consistently useful as Amy is. She comes up with novel solutions and she just gets things. But Amy just can’t win. When she is successfully useful, people call her a Mary Sue. But do you know who the real Mary Sue of the show is? It’s the Doctor. He comes up with impossible solutions every episode, and he is way more clever than he has any right to be. So sometimes, Amy calls for the Doctor when she doesn’t know what to do. And that makes her useless? I don’t think it does. True, Amy sometimes makes things worse. But this is just the structure of TV. It has to get worse before it gets better. The Doctor also often makes things worse. True, Amy sometimes gets captured and requires rescuing (a lot, actually, but this has much less to do with her competence and more to do with the stories that the writers chose to tell). Sometimes, Amy has to get rescued because it’s part of a trap the Doctor set. Sometimes, Amy has to get rescued because it’s part of a trap set for the Doctor. In both these situations Amy is extremely useful—she just isn’t interesting. And that’s the writers’ fault, not hers.

She’s not worthy of Rory/The Doctor: I think this is another criticism that comes from jealousy. First of all part of Doctor Who’s canon is the inherent worth of people and equality. So I don’t think that there’s really supposed to be room for us to judge who is a better person than who in this universe; we’re even supposed to be questioning the ethicality of the Doctor’s decisions about the worth of people who are dangerous villains. And yet viewers want to compare and rate the characters. That’s natural, I guess. But I’m just inclined to play the Devil’s Advocate here. I’d say, the Doctor has become so dark in this series that it’s really him that doesn’t deserve Amy. But anyway, I don’t really like the comparing of people. I don’t want to be compared to other people in my life. I already have a complex about not being good enough for my husband. And so does Amy—that’s why she tries to give him up in Asylum of the Daleks.

I get especially huffy when people try to back up their arguments for hating Amy by comparing Amy in The Girl Who Waited to Rory in The Big Bang. I think it’s a little fallacious. It’s like comparing apples and oranges and just doesn’t have a leg to stand on when you examine it closely:
In The Girl Who Waited, Old Amy talks about how she is so different from what Young Amy will ever be. So it’s unfair to judge Young Amy by what Old Amy does because, as the episode goes to great lengths to establish, they are actually two totally different people who have years of totally different experiences. It’s also unfair to compare Amy against Rory because they are also two totally different people who have years of totally different experiences. They treat each other differently for a number of reasons besides one just being a better person than the other. Not only do they have drastically different desires and personalities that make them prone to different choices, but they have different experiences. And Amy’s waiting experience was different from Rory’s. I have compared them here in the way I see it in case I haven’t convinced you yet:

Amy got accidently left behind on an alien planet that was trying to kill her. She was let down by the man she loved. That made her feel bad about herself and bad about him. For those 36 years, she did not know whether they left her on accident or on purpose, whether they were still trying or whether they had given up, or even whether she would ever see another human being again. In order to keep going, Amy told herself that she and Rory did not love each other—that she had not lost everything. Amy felt like she was sacrificed. And on top of that, her waiting was pointless, and it gave her the sense that her whole life was pointless. When Amy saw Rory again, she felt upset that she had wasted her life and her youth and grown old alone while he was still young. She was afraid that he would not accept her and that therefore she could no longer be with him in the way she wanted.

In contrast, Rory chose to wait for Amy. He was not let down by her; in fact, he had just let her down by literally ending her life, and so decided to atone for it by guarding her, which she didn’t ask him to do (Hi, I want to introduce you to a thing called “nice-guy entitlement,” where movies tell us that when a “nice guy” does something for a girl, she now owes him—whether she wanted him to do it or not.) It made him feel good about himself and good about her. He had a distinct purpose and kept himself grounded in that purpose and in his noble sacrifice. In order to keep going, he told himself that they loved each other. He may have been bound to stay near the box, but he was still on earth. He would occasionally see other human beings (we know he did because of all the sitings and legends). His life was never in danger, because he was plastic. He knew that one day it would end and it would all be worth it. When Rory finally saw Amy again, he still looked young and still had an infinite amount of years to spend with her. He could still be with her in the way that he wanted.
Rory became a soldier. Amy became a survivor. Not just because of who they started out as but because of what they went through. Rory became more loving and devoted. Amy became disillusioned. Rory gained a sense of himself and an appreciation of his unusual abilities. Amy lost her sense of herself and her appreciation of adventure.

I’m not trying to say that one experience was harder than the other. I’m just saying that they are different experiences that lead to different results. It hardly lends itself to a comparison of relative worth.

I also have another point, one that I haven’t seen anybody bring up. Rory actually had an experience that was more similar to Amy’s than the one in The Big Bang explored above. And he reacted more similarly to Amy in The Girl Who Waited. In The Doctor’s Wife, Amy and Rory get trapped on the TARDIS by House. In the midst of running around, they get caught in two different time streams. What is 2000 years for Rory is minutes for Amy. It was an accident—something she had no control over, didn’t choose, and couldn’t have foreseen. (Sound familiar?) It’s maybe even more Rory’s fault than Amy’s because he fell behind. We see Rory at a few different times in his journey, and each time his anger at Amy has escalated. At one point, he physically attacks her. By the end he has written on the wall in (presumably) blood terrifying things like “hate” and “kill Amy.” So… tell me again whose reaction was worse? I assume part of the reason this hasn’t been talked about is because it may not have been real. House could have just made up those reactions I guess. But Old Rory was not a hologram or trick of the eyes, he was a real person. We know that the TARDIS has the capability to create, archive, and otherwise mess with time streams from Journey to the Center of the TARDIS, so I say it is at least as likely that in one version of Rory’s timeline he lived for 2000 years on the TARDIS, trapped and waiting for Amy, and then died and was replaced just like the older alternate version of Amy. If this is the case, then that is in fact “actual” Rory’s reaction, just as much as it was “actual” Amy’s reaction in The Girl Who Waited. Or at the very least, House took the scenario from their own heads and personalities, making it just as valid a reaction. Just something to think about.

And this all goes to show how remarkable it was that old Amy forgave Rory in the space of a half hour after 36 years. Old Amy may have been a bit harsh to him, but she also sacrificed her life, her growth, and her memories of those 36 years just so that Rory could have the Amy he wanted back. It’s pretty obvious that she still loved him. So if you say you hate Amy for her reaction in The Girl Who Waited, know that I feel differently. I love her for it. (At least in part because this version of Amy gets an arc and some character development.)


She’s a slut: I personally think this is a really interesting part of Amy’s character. I wish it would have been explored more. Maybe it wasn’t because this is a family show. But I think they could have easily explored it in a delicate way, which I think would have been much better than leaving it in the way it was, with no exploration into the emotions and experience behind the actions. They just left it there for the kids to absorb and spit out later. The lack of discussion and purpose to Amy’s attitude towards sex leads me to believe that Amy’s sexuality wasn’t for her. It was “for the dads” as they say, and maybe a little bit for the Doctor to feel bad about how Amy grew up without him there to keep her on the “right track.”

Now I do think it’s fun to see a female character who’s flirty. In RTD’s era we saw a lot of women’s sexuality played out for comedic effect (especially Jackie and Donna). So I loved seeing a character whose sexuality was a big part of her who was taken at least a little more seriously. It’s still played for laughs, but at least in this area Amy is usually making the joke instead of being the butt of the joke (well sometimes). 

I think Amy gets a bad rap here. People especially seem to rag on her for cheating on Rory, and for flirting with the Doctor and having a drawn-out love triangle. I thought that these criticisms made sense until I re-watched her seasons.  People usually cite Amy’s Choice as the episode where Amy chooses Rory. I disagree. It’s actually Vampires of Venice where Amy chooses Rory over the Doctor, which is the episode right after she propositions the Doctor and is the very first episode where Rory travels with them in the TARDIS. Admittedly it does take Amy a long time to decide to actually get married, but this has very little to do with Rory versus the Doctor and more to do with Amy versus herself. At the end of Vampires Amy is hand-in-hand with Rory and has made it clear that she wants to be with him. Rory offers to go back home and Amy asks him to stay. They’ve kissed and made up and Amy has realized what she appreciates about Rory. She never really goes back on this. She does continue to be her sexy self but she never cheats on him again. She rarely actually flirts with the Doctor. The only times are in Flesh and Stone where she kisses him; in The Big Bang, where she tells him he may kiss the bride; and sort of in The Impossible Astronaut, where she calls him a flirt after he flirtatiously calls her a stalker. That’s really it. Besides that we barely see her flirting; we mostly just see a lot of Rory not trusting her around men and the Doctor saying that she’s a flirt (i.e. “she’s Amy and she’s surrounded by Romans. I’m not sure history can take it”). It’s particularly interesting that Amy didn’t flirt with the Doctor when she didn’t remember Rory. One might think that she would be more inclined to flirt with the Doctor without Rory there but she didn’t. It was like it didn’t even really cross her mind. They were just mates and he was “sort of funny” like she had seen him as a child. This says a couple of important things to me: 1) she really only flirts when she’s really happy (just survived her first big adventure, just saved the Doctor and got married, and just saw the Doctor for the first time in months). She doesn’t do it when she’s sad—and she was sad when Rory was gone, even if she didn’t know why. And 2) She was never really interested in a romantic relationship with the Doctor and wouldn’t have tried to seduce him if it weren’t for her stressing over the pressure of marrying Rory at 21. If Rory never existed she never felt that stress and she never tried to seduce the Doctor. 

Similarly, Amy remembers Rory in the alternate universe in The Wedding of River Song. Even though it took her a while to realize who he was, she was the one that remembered him and not the other way around. In The Girl Who Waited, old Amy lets herself die because young Amy tells her that it’s what Rory would want. She kills herself after Rory’s death in one of her first episodes, Amy’s Choice, just as readily as she does in her last episode, Angels in Manhattan. She’s totally devoted to Rory… so why do people say she isn’t? Is it because of the way she acts in just those first few episodes? I don’t think this is really fair. First of all, in her first episode, The Eleventh Hour, she isn’t very devoted to Rory. I’d say this is fair though, because it seems to me that at this point in the timeline they had just started dating. And she just saw the man she’s been dreaming about her whole life. So she was a bit weird about it. I think that’s normal. The next time we see her it has been two years and it’s the night before her wedding. That means that in her mind it is basically her last chance to see what she could be missing—final decision time. She has craved adventure and abhorred normality her entire life and she was about to commit to what she thought was going to be a boring and stagnant life. (And also, I think that their relationship was just not at marriage stage). I think we judge her a bit harshly in this instance too. I think a lot of people would have acted exactly the same in Amy’s situation. Then pretty immediately she gets the confirmation that sticking with Rory is the right decision, and she never goes back on it. I wonder if part of the reason we can’t forgive her is that Rory doesn’t. His insecurities last all the way until A Good Man Goes to War, midway through season 6. But we blame his insecurities on her instead of letting him own his insecurities. I think this is a really immature way to deal with them, but it seems supported by the writing. I think the writers also blamed her for them. In reality, I think Rory’s insecurities started way before Amy, when he was seven and small and nobody liked him. It’s not really Amy’s fault, but we blame her anyway. 

She’s a kiss-o-gram: To me, this is extremely interesting. It tells me that Amy craves adventure and human connection. She likes sex, she loves to be sexy. For her it feels exciting to dress up as a character and to meet and feel close to new people. This could come from growing up without a family, as it would make sense that she craves relationships but doesn’t know how to open up emotionally. But, here’s the thing, I had to infer all of this. None of it is explained in the least by the writing. This is true for so much of what Amy fans defend about her character and actions. It seems at least as likely to me that the writers made her a kiss-o-gram just to make her seem sexy to the viewers.

I think it’s important to have female characters that are sex-positive, because we have a disturbing lack of media validation when it comes to female sexuality. I think Amy is sex-positive because she embraces her sexuality. She never apologizes for it (which makes some people hate her). On the one hand, I personally can understand when people say she should have apologized to Rory for kissing another man on the night before their wedding. On the other hand, that is a value based on the socialized assumption that monogamy is the one true path, which is pretty limiting for Doctor Who (Captain Jack, anyone?) Some fans theorize that Amy is just polyamorous, and therefore probably believes that her attraction to and pursuit of sexual relationships with other men really doesn’t affect her relationship with Rory. Unfortunately, this is never remotely discussed, so we don’t know. But, if she and Rory had discussed this at some point and Rory agreed to being open to this arrangement, it would actually be his responsibility to come out and tell Amy that it bothered him rather than being passive-aggressive about it. Also, Amy regularly kisses random people as part of her day job, so according to her existing schema she probably actually doesn’t think she did anything wrong.


So sex positive? I don’t know. She recognizes and values her own sexuality, but at the same time, she does get criticized for it—by the Doctor, Rory, and all of us. So, you can’t really sell the character’s sex-positive image if you’re going to have unrefuted criticism of the character’s sexuality in the same breath.

Here’s a great quote on that topic from this post by Claudia Boleyn:

“Is her being a kissogram supposed to have negative connotations? Certainly, the way the Doctor reacts to the news is rather out of place. Should Amy Pond, a character Moffat made a conscious choice to make flirty and witty and sexy and dress in short skirts, then be shamed for this aspect of her personality? It doesn’t seem right at all.”


Another reason fans tend to hate on Amy is the love triangle for the ages. I think part of the reason that we tend to think that the love triangle lasted for so long when it really didn’t comes from the writing later on that explored Rory’s insecurities. I’m talking about Day of the Moon where Amy gets kidnapped and we hear her talking about how much she loves Rory but it’s meant to be unclear whether she is talking about Rory or the Doctor. Similarly, there’s that bit that lasts all the way into A Good Man Goes to War where the writing keeps suggesting that Amy’s baby might be the Doctor’s and not Rory’s. But Amy had nothing to do with this at all. For Amy, the love triangle ended as soon as it began. The writers co-opted her words to create suspense, putting in drama where there wasn’t any. Amy was only ever devoted to Rory. We were doubting her and it was totally unfounded! We can’t blame her for that.

Going back in time a bit, there is one thing about Amy’s sexuality that I want to address. Of course, it’s Flesh and Stone. This isn’t a problem I have with Amy, since I think it’s perfectly alright for a character to have flaws and I think this is one. I’m gonna get real serious for a second and say that Amy sexually assaulted the Doctor in this episode. I totally understand why she thought it was okay to do. Because of her characterization and because she’s a pretty girl, she probably has an assumption that she knows what boys like, and that this is it. It wouldn’t occur to her to think he wouldn’t want it. And that’s exactly the problem. She didn’t know that she was doing something wrong. And neither did we, because we also tend (as a society) to carry that assumption. And now all the people watching have had their rape culture paradigm reinforced because no one explained that it is wrong. Or because they can say that it looked like the Doctor did want it. Or because it was funny, because men can’t be sexually assaulted or raped by a woman. This shows a fundamental misunderstanding of consent and rape culture and is not helping viewers to be better and show each other respect. And I think that’s absolutely against what Doctor Who is about. I blame the writers for this and not Amy the character. Especially because the Doctor later sexually assaults Jenny in The Crimson Horror. And the writers treat it the same. It’s just meant to be funny. Honestly, the Doctor is hundreds of years old and he should know better. Amy is 21. They should both know better, and the writers missed the opportunity to teach them and everybody else.

Actually, if we’re talking about “sluts” here, I just want to point out that the 11th Doctor is the bigger slut of the two of them. He’s quite aggressively sexual. While Amy kissed two people (Rory and the Doctor) the 11th Doctor (not even factoring in other incarnations) kissed significantly more: Amy, Rory, River, Jenny, Clara, and even the TARDIS matrix in Idris’s body (and probably more but who’s keeping count…)

I think it also may be important to look at why Amy does the sexual things she does. It’s particularly interesting that she doesn’t proposition the Doctor until she is already back in her bedroom. After she has explained that she’s getting married in the morning. This tells me that she actually wasn’t that eager to sleep with the Doctor but that she actually just wanted to talk about and explore those feelings but didn’t know how. I think that should have been addressed, because it seems pretty unhealthy and would probably have led to lots of regret the morning after if the two had followed through.

The way she dresses: I personally don’t have a problem with the way Amy “chooses” to dress, as many do. She’s at perfect liberty to dress however she wants to. I think that Amy’s attractiveness has had a big effect on her life experience, which is realistic, and would therefore also affect the way she dresses. However, it is just as much the creators of the show who choose what Amy wears as it is Amy. And I don’t believe for a moment that it didn’t cross their minds that Karen Gillan’s beautiful legs would be good for business. I didn’t think much of it at the time but now I’m reconsidering: the costume choice of only short skirts has been cast in dubious light now that Clara also only wears short skirts. I’m starting to think it may be possible that those in charge have a nefarious agenda to objectify the wymyns. And actually, short skirts are absolutely impractical for space adventures. I will say it for all those who don’t know, you can’t run fast in a short skirt and still cover your butt. The skirt will ride up and you will either have to hold it down as you run or be exposed. But you don’t have to take it from me; you can see it in Amy’s first episode, The Eleventh Hour. In it, Amy is wearing a skirt; because of that, she runs comically slow, stuck in the background almost out of frame; she struggles to hop over obstacles the size of a large step; and she is constantly pulling her skirt down. I know Amy isn’t stupid, so I want to say that maybe she thinks that she will more successfully get out of trouble using her legs as objects to be looked at than she will using them for running? Not sure that’s supported. Either way, Amy doesn’t do much running. Which is unusual for Doctor Who. And which is also a shame because she would probably be good at it—with her long legs and low weight. I’m starting to think that this is the reason Amy wears pants in the few episodes she does: The Curse of the Black Spot and The Girl Who Waited, because she has fight sequences; and The Impossible Astronaut and Day of the Moon because she actually runs in those episodes, though not for long. They definitely put her in a skirt whenever possible, even though realistically Amy would not know in which adventures she would need to run and fight and therefore would most likely wear pants as often as possible because she hates to be constrained. And this adds to my growing suspicion that the creators were obsessed with Amy looking good. Oh, she isn’t attractive when she runs? Let’s have her run as little as possible. In fact, let’s stick her in a box. Let’s tie her to a chair. Let’s trap her on the TARDIS. etc. etc. etc.  

She’s poorly written: I think this is true, and I know I’m not alone. There’s just too much that’s missing. There are lots of great subtle hints at character, but there was just so much to focus on in these seasons that the audience totally missed it. There were some things about the writing that were fantastic, but Amy’s character development was not one of them. There was some really brilliant plot development—repeating themes, mysteries seeded seasons in advance, and more. As the seasons progressed, it was like Amy just got forgotten. She was only important for how she related to the plot, existing in the background.

They had a great story about this family, but they didn’t have time to really build up the relationships on-screen because of the plots taking up all the room. A lot of Amy and the Doctor’s bonding takes place off-screen, and then you are told about it later. I think this probably has to do with the fact that the writers didn’t want to waste time showing her finding out things that we already know. We assume that she has all of our knowledge, because she throws out lines like “you told me what you did to your people” and “you let him call you sir, you never do that.” But we don’t get to see her learn and we don’t know what she does and doesn’t know. We don’t get to see how learning things about the Doctor changes her, because she basically comes fully formed with all the knowledge of life-changing things already there. She only has to ask questions to fill in the gaps of what the audience doesn’t know, like “what are you doing” and “how does that work.”

It kind of seems like Amy has some development, but it isn’t really character development: it actually takes the form of plot development. I’m talking in large part about the fact that Amy ages 10 years throughout her run in the show (and that’s not including any of her time as a child. I’m not sure if it counts The Eleventh Hour at all actually, as that’s two years before Amy starts traveling with him regularly and I just got the 10 years thing from a random bit of dialogue in The Angels Take Manhattan—otherwise I never would have guessed it had been 10 years). So again, we get told that Amy has changed when we don’t really see it. I mean, I won’t deny that there is some change in her character (she does seem a bit older in later episodes—though maybe she just looks older and doesn’t act it, I can’t tell) but the change is not anywhere remotely close to ten years’ worth of change.

I mean, that means that at the time of that episode, the Doctor had been a part of Amy’s life for at least 22, maybe 24 years out of her life. That’s 24 out of 31 years, approximately, which is over 75%. All but the first 7 years. That’s a really interesting dynamic and something that we hadn’t seen in New Who before. The companions before Amy were only with the Doctor for months. I’d say two years each at the max, and that’s being really generous. Imagine if we got to explore the influence of that explicitly instead of it just being a throw-away line, part of the background. We get a tiny taste of that in episodes like The God Complex, which gave Amy some of her most interesting development by exploring her faith in the Doctor. It’s interesting that this episode is the one I think has the most development (after Amy’s Choice and The Girl Who Waited), because this episode is really about the Doctor and not Amy (he’s the one with the God complex, after all). But again, it’s more part of the background, there to supplement the Doctor’s development, and like nearly everything else with Amy, falls off the face of the canon after that one episode. Her supposed loss of faith in the Doctor did not affect her at all in any other episode. The next time we see her is in The Wedding of River Song, and she seems right back to the old Amy. At first I thought this was because she actually was the old Amy, circa The Impossible Astronaut, which would make sense (the Amy at the beach should have been the one pulled into the alternate timeline if the Doctor that was pulled into the timeline was the Doctor at the beach). But it seems it isn’t that Amy because this Amy knows that River is her daughter, which that Amy didn’t. Unless of course she somehow got extra knowledge just by being in the alternate timeline, of what her future was supposed to teach her even though she hadn’t lived it yet, although that would make her basically all-knowing, which I don’t think she is. So anyway, timey-wimey as it is, we never ever get to see the fallout of Amy’s growth in The God Complex. She reverts right back to trusting the Doctor in every episode after.

This lack of development affects our perception of Amy. Viewers may complain that Amy doesn’t think about the consequences of her actions. I say it isn’t Amy who doesn’t care about consequences—it’s the writers. Amy never has to think about consequences, because the writers never give her any. Everything she does gets forgotten, or re-written, or is just never brought up again. For example, the battle-hardened and jaded warrior Amy of The Girl Who Waited never existed. Neither did the Amy in the alternate timeline who killed Madame Kavarian. These instances are some of her biggest moments of character development, and they basically get retracted.

Furthermore, Amy has such large time jumps in her story that she never gets the chance to react to something for more than one episode. As soon as something is established, it gets changed or forgotten or invalidated. Amy’s experience of losing her daughter was basically invalidated in the next episode with the reveal that Mels was her daughter all along. The only time it really even gets mentioned is in the alternate timeline, which never existed. Her experience of being kidnapped for nine months hardly changes her at all. Amy apparently loses her faith in the Doctor in the God Complex, but we don’t see this carried through to later episodes. There is no fallout after the divorce thing is resolved in Asylum of the Daleks—it’s like it never happened. If anything, Rory changes a tiny bit and Amy doesn’t. Amy doesn’t change when her family is brought back; this probably makes the least sense. She went through all that to bring them back and it made absolutely no difference. We only even see them in one episode!

So many life-changing things happen to her, but the most incredible thing is that she isn’t changed by any of them.

One last thing: It’s interesting that we seem to love young Amelia but hate Amy. Because, they are remarkably similar. Shocking point to bring up, I know, but really. There is no part of young Amelia that isn’t there in Amy. The one thing that’s really added is a heavy dose of sexuality and the societal constraints and expectations that for whatever reason make Amy’s personality traits unforgivable in an adult.


So in conclusion, I’d like to quote that earlier post by Claudia Boleyn some more:


We know that Amy was invalidated as a child. We know she was taken to see psychiatrists. We know she was a bit of an outcast. We know that she grew up without parents. (At least in one version of the timeline.) We know that she suffered from major abandonment issues. We know that it was a struggle for her to keep hold of her creativity and imagination in the face of the big-bad adult world.
So why was this not a major facet of her personality?
Some would argue that the job of Doctor Who is not to accurately portray mental illness, but I’m of the personal opinion, that giving Amy emotional difficulties and a traumatic childhood was a deliberate narrative choice, and it’s lazy not to portray the consequences of that.
When you create a character, you must create them as a full human being. You must remember that they react like a human. You must give time for their thoughts and reactions and emotions. You must occasionally allow them to refuse to be pleasing to the male-gaze, for the sake of storytelling.
As I’ve said in an earlier post, Vincent, in Vincent and the Doctor, was allowed his moment of ‘ugliness’ as he struggled with mental illness, but Amy was not.
Think on that. A character in one single episode was given more scope to have their emotions explored than the heroine of our entire series.
And I do believe it’s partly a sexism issue. I think men are ‘allowed’ to show this ‘ugliness’ whereas women are not. I think Moffat would rather his lady characters were witty and sexy and pleasing, than crying and curled up in bed in dirty pyjamas with tearstained, red faces.
I don’t think Moffat would have found it ‘compelling’ to see Amelia Pond struggle with the staggering emotional repercussions of losing a child.
Which is why we never did.

BOOM. If you made it this far, thank you for reading!

Super-unnatural


x



So this post is about Supernatural, which I recently watched all 10-and-a-half seasons of. (I say recently because I watched those 228 episodes within the last two months.) I think you can probably tell that I love this show; I feel I need to state it explicitly because of what is about to come next. Now here it is: I am so fed up. The further I get from last night’s half-season premiere, the angrier I get. I want to take back #girlpower and shout from the rooftops where my women at?


SPOILERS BELOW




They murdered another female character. This is not really even spoiler-level because they do this all the time. This is how I imagine their writing sessions: 

Writer one: Do you think we should kill-off a recurring character to try to bring back the illusion of high stakes?
Writer two: Yeah okay but I really like >insert character< and >insert character< . . .
Writer one: Oh don’t worry. We can just kill the girl again.

I’m sure this isn’t how it happens, especially because I can’t imagine anyone that is not hopelessly devoted to Charlie and the writers gave her the axe too… but… then why does it happen so often? I mean, could it be *gasp* sexism? 

(Just so you know, I do try to write about things other than sexism in TV, but it’s just so rampant! It’s everywhere!)

I kinda think it’s that sexism thing. Now before you say it, I know that people die in almost literally every episode, and that many of those dead people are male. I’m not ignoring that I’m just not talking about it. It’s irrelevant. I’m saying that the show systematically erases women and focuses on men. The world has not built a place for women and keeps trying to kick us out because it doesn’t know how to deal with us. Or worse, it just doesn’t care if we’re there or not. 

Fundamentally, this is a misogynistic show (now bear with me here, I know it hurts). To be clear, because we live in a patriarchal and misogynistic society, anything that accepts rather than fights that system is misogynistic on a basic level (even if accidentally). (Sadly, accidental misogyny occurs alarmingly often.) This show, in its lack of important female characters, reflects a mistrust of women. In its sexist comments and sexual objectification, it exhibits the mistreatment of women. It’s full of characters that are so casually and non-threateningly misogynistic that we think this is normal. And that is not okay with me.

Yes it is about two brothers so of course it can be a bit of a boys club. And that’s not an accident. That was a choice that Kripke made, and that was exactly the feel he wanted with his classic rock, muscle cars, and down-home Midwestern mother-loving boys in flannel. That’s fine I guess. I can live with it for reasons of nostalgia, although I recognize that I don’t really belong there no matter how much I want to be a part of their world. But so many of the decisions that the writers have made leave me feeling just a little let-down.

The most problematic thing for me is that “boys club” mentality. It’s exclusionary and tends to make value judgments in a sort of “us and them” way. 

Something that comes to mind here is the devaluing of women through language. Some of Dean’s most iconic lines are subtly but powerfully degrading to women. I include in this: “No chick-flick moments,” and the word “bitch.” The boys are afraid of “acting like a girl” because obviously, that’s so embarrassing. Who would want to be a girl? Certainly not me. . .

The show as a whole represents women as expendable, as the angel Ambrielle described herself right before she died in last night’s episode. Women aren’t important because they don’t save the day (not factoring in Charlie, who is a beautiful anomaly). Women die often and with very little fanfare, and then are usually replaced by someone very similar. And no one really cares. Part of this comes from the simple fact that the women just don’t last very long before they die.

Let’s get down to the numbers

The Winchesters are obvi in all the episodes. According to imdb, next is Cas, with 87 (8 seasons). Bobby was in 58 (9 seasons) and Crowley in 55 (7 seasons). John is in 20 (including both actors, 10 seasons) while Mary is in only half that, 11 total (8 seasons). Ruby is the highest female with 18 (5 seasons), which includes all three of her actresses (so the most common female character is the 7th most commonly occurring character over-all). People often compare Kevin with Charlie, as they lived and died in close proximity, but Kevin was in 15 episodes (3 seasons), more than twice Charlie’s 7 (4 seasons). Kevin’s mom can barely even be considered a recurring character, appearing in only 3 episodes. The number of male characters who appeared in more than three episodes (37) was nearly twice the corresponding number for females (20). (I used 3 for this because that’s when I stopped being able to recognize every name). I’d say that right now Jody is the female character closest to being in the main cast, and she’s only been in 10 episodes.

But anyway, as this blog says:

The point isn’t the actual numbers, it’s what they represent.

What this means is that there is no consistent female voice on Supernatural. There is no female presence really at all.



Now I’m not trying to tackle all the things in this post, I only wanted to talk about the deaths really. So I’ll get to that.

I will never forgive the show for what they did to Charlie. But with Rowena, I was starting to have some hope again. She was climbing in the numbers, appearing in 15 episodes. That’s the most of any female character besides Ruby. And then just as I was starting to like her, she was gone. Just like that, Lucifer snapped her neck. And now Amara is the only big female character that’s part of this season’s story arc. And she’s the story arc’s main villain (well co-villain now) so she must surely die when this season is over (unless the writers are going to be cool this year and let a female main villain live for more than a season, like they have done with nearly every male main villain). So basically my representation hopes have been dashed again. Why do they kill all the women?

Historically, this trend started in the very first episode. All of the female characters pre-season 5 are basically dead and buried. All of the female characters that even have the potential to still be in the picture are more recent. Claire, Donna, and Alex are from season 9 and Kate and Krissy are from season 7. Jody is the female recurring character that’s been around the longest, and her first episode was in season 5. (Claire is technically from season 5 I guess but they didn’t start using her as a recurring character until season 9.) Everyone before her is dead or gone. The show has been doing a great job lately of introducing new female characters, and even letting them have relationships with each other, (which has been missing since Jo and Ellen in season 3) but it hasn’t been taking the opportunity to develop those characters and bring them into the family. 

I know it’s not just female characters who die, but it is female characters who are missing from the main cast. And even though male and female deaths on the show occur in similar numbers, a higher ratio of female characters are dying because there are more male characters than female. Also, as I said earlier, it is not super relevant because my issue is with the fact that there is a dearth of female recurring characters compared to male. All four of the series regulars are men and they have been for the duration of the show; the recurring female characters like Jody only show up about once a season. That’s not equal representation; it’s not even close.

Also, many of the men who die get to come back while the women don’t. Sam, Dean, and Cas have all come back from the dead multiple times. Crowley came back after they burned his “bones.” These were all permanent returns, but there are plenty of less permanent returns as well. Bobby came back as a ghost and then was seen in hell, and then again in heaven and then again in Sam’s coma dreams. Kevin came back as a ghost, we saw Ash in heaven, we saw Benny in purgatory after his death, John came back briefly when the gates of hell were opened. Grandpa Samuel came back for a pretty extended period of time. Adam came back. Lucifer keeps coming back. Curiously, the women don’t really tend to come back once they’re dead. (Jo is the only one who came back in a later episode; Charlie was resurrected moments after her first death. That ratio is about 1 for every 6.)

I just want to know why! Some have said that it’s because the fans don’t like the female characters as much. This may be true, although maybe that would change if they started developing and showcasing their female characters more. I loved Rowena, who I thought was really interesting and three-dimensional. I don’t know what the deal is, but I think that there is obviously something wrong if the fans and creators don’t care about or respect the women of this world to the point where they don’t want them in the world at all. I just hope that Supernatural gets to keep going long enough to get it right.



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See here for an update on The Death and Life of Rowena MacLeod post 11.18 "Hell's Angel."


Also, look at this picture* because truth.

WARNING ******************* ADULT LANGUAGE 



*picture is from this article at cracked.com